무선 스틱청소기

대화 전문

시댄스로 보낸 최종 프롬프트

STYLE:
Vertical 9:16, photoreal phone footage — handheld, natural micro-shake, spontaneous reframing, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her late 20s, casual homewear (oversized t-shirt and shorts), relaxed bun hairstyle, natural bright expression, living alone vibe. 100% match.
@Image2 — the product: 화이트 톤에 메탈 디테일, 투명 먼지통, 롤러 브러시 헤드가 달린 무선 스틱청소기. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 110 cm tall handle-to-floor and 22 cm wide at the roller head, with a clear dust bin roughly palm-sized — about one and a half times the length of an adult palm across. It must never look larger than her torso when held upright.

LOCATION:
the compact one-room studio's open floor between the small bed and the folding table, morning light coming in low across the flooring.

FIRST FRAME:
0.0s — medium explainer framing, the person already gripping the upright handle with one hand, the wand resting vertically beside her leg, the product visible and close to the lens as she starts talking.

ACTION TIMING:
0–3s — Medium framing, product held up and visible. She opens straight into a quick tip or the context for using it — no preamble, no greeting.
3–5s — She turns the product once in her hand and performs its one control: pressing the trigger switch under her fingers with one hand to power it on, her other hand steadying the handle, no removable part involved
5–10s — The camera moves in close on her hands as she demonstrates the core steps, then pulls back to her face as she keeps explaining, then returns close on her hands for the next step. tilting the roller brush head flat against the floor and drawing it in one steady pass over a visible line of hair, the intake pulling the strands straight up off the surface
10–13s — One last close insert on the final motion or application, completed on camera — nothing cuts away before it finishes.
13–15s — Back to medium framing, she holds up the product. the scattered hair on the floor visibly vanishes in the single pass, and the strands are seen through the clear bin gathering against its inner wall She looks into the lens with the product still in frame and lands the closing line. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "아침에 일어나자마자 바닥 보고 진짜 소름 돋았어요"
3–5s — "저 머리카락 장난 아니거든요"
5–10s — "근데 이거 하나 밀었더니 순식간에 다 빨려 들어가요"
10–13s — "먼지통 보세요, 이만큼이 한 번에 들어왔어요"
13–15s — "이 정도면 그냥 믿고 쓸만해요"

PERFORMANCE:
LINE_1 — genuine dismay at the floor, half-laughing at herself, crouching down and pointing at the hair with one hand
LINE_2 — mild disbelief, small headshake, wrinkling her nose as she looks at the mess
LINE_3 — surprised delight breaking through, eyes widening as she pulls the vacuum across the floor in one clean pass
LINE_4 — proud, showing off, turning the dust bin toward the camera with a little satisfied nod
LINE_5 — warm, settled confidence, a small closing smile aimed at the viewer
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- White plastic-and-metal wand body with a clear cylindrical dust bin up front, showing hair and debris the instant they're pulled in.
- The roller brush head spins fast against the floor, dragging long hair strands off the surface and pulling them straight through the intake in one continuous motion.
- The clear bin briefly fogs with fine dust swirl on strong suction, then settles as debris packs against the far wall of the canister.
- NEVER: the clear dust bin must never look empty right after visibly sucking up a pile of hair — what goes in stays visible inside it.
- Scale is fixed: about 110 cm tall handle-to-floor and 22 cm wide at the roller head, with a clear dust bin roughly palm-sized — about one and a half times the length of an adult palm across. It must never look larger than her torso when held upright.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of the small studio, the vacuum motor's steady whirring rising as it powers on, the roller brush's soft friction against the floor, faint rustle of hair being pulled through the intake, her voice and light footsteps the loudest things in the mix.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: mostly to-lens while explaining, eyes drop to the product and hands during the control and each demonstration step, returning to-lens for the close.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
none