우드 디퓨저

대화 전문

시댄스로 보낸 최종 프롬프트

STYLE:
Vertical 9:16, photoreal phone footage — handheld selfie framing, natural micro-shake, spontaneous reframing, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s, long straight black hair, calm and neat vibe, wearing a simple black sleeveless top. 100% match.
@Image2 — the product: 베이지색 둥근 무광 용기에 갈색 나무 리드 스틱 여러 개가 꽂혀 있는 미니멀한 디자인, 화이트 배경. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 10 cm tall and 8 cm across, roughly one and a half times the length of an adult palm, with several 20 cm wood reed sticks rising out of it. It must never look larger than her forearm.

LOCATION:
on a low nightstand beside the rumpled bedding in the cozy bedroom, near the soft window light.

FIRST FRAME:
0.0s — front-camera selfie framing, the person already cradling the round beige diffuser container gently in both hands, looking straight into the lens mid-thought as if about to recommend something to a friend.

ACTION TIMING:
0–3s — Selfie framing, product already in hand or on her. She opens straight into the recommendation, no preamble, no greeting.
3–6s — Without cutting away, she uses it on herself right there in the same frame: holding the container steady in one hand and lifting one brown wood reed stick partway out with the other, then letting it settle back among the others She keeps talking through the motion.
6–10s — Camera moves in close on the part that changed. bringing the cluster of wood reed sticks close and tilting the container slightly so the sticks catch the light, the scent implied by the sticks resting back into place The lens holds on the detail rather than cutting away.
10–13s — Back to selfie framing. She holds the product up beside the result so both sit in one shot. she leans toward the container and visibly breathes in near the reed sticks, her expression softening as if the scent is still faintly there She nods once at the lens and lands the closing line. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a slow push in on her face for the final beat, ending on a close-up of her expression as she finishes speaking

DIALOGUE:
0–3s — "방 들어왔는데 뭔가 다르더라고요."
3–6s — "이거 우드 디퓨저 하나 놔둔 것뿐인데."
6–10s — "문 열자마자 향이 은은하게 남아있어요."
10–13s — "이건 진짜 계속 놔두고 싶어지는 향이에요."

PERFORMANCE:
LINE_1 — she wants to convey quiet surprise at noticing something in the room; slight pause, eyebrows lifting, a soft inward breath before speaking.
LINE_2 — she wants to casually reveal the cause, almost amused at how simple it is; a small glance toward the diffuser then back, light shrug in the voice.
LINE_3 — she wants the listener to really picture the moment of walking in; she speaks a touch slower here, savoring the memory, faint smile.
LINE_4 — she wants to leave the listener convinced; warmer tone, small nod, voice softening like a genuine personal verdict.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- The container is matte beige ceramic-look resin, solid and non-flexible.
- Several brown wood reed sticks stand upright in it, thin and slightly porous, absorbing and releasing scent oil slowly.
- The sticks may sway very slightly when touched but do not bend or bounce.
- NEVER: the diffuser must never spray, mist, or emit visible smoke or vapor — the scent stays invisible.
- Scale is fixed: about 10 cm tall and 8 cm across, roughly one and a half times the length of an adult palm, with several 20 cm wood reed sticks rising out of it. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Soft room tone in the quiet bedroom, the faint rustle of bedding as she shifts, a light wooden clink as the reed sticks tap the rim of the container, and her spoken lines carried clearly above the silence.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment shows came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product or the changed detail only during the use moment and the close-up.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
a slow push in on her face for the final beat, ending on a close-up of her expression as she finishes speaking This applies to the ending of the clip and supersedes the register above for those seconds; the register above resumes elsewhere.

PROPS:
pillows and rumpled bedding beneath the nightstand